Chris Welsby

"In my single screen films and single channel videos the mechanics of film and video interact with the landscape in such a way that elemental processes—such as changes in light, the rise and fall of the tide or changes in wind direction—are given the space and time to participate in the process of representation. The resulting sequences of images make it possible to envisage a relationship between technology and nature based on principles other than exploitation and domination…

Blowin’ in the Wind

"Anemometer", a ten minute silent film from 1974, focuses on a fixed view of traffic across a small park in London called Euston Square…